Evolution of a spread: Holy grail

Holy grail 01Just finished a new art journal spread and this time I remembered to take some photos along the way.

Step one: gesso and  collage elements

 

 

 

Holy G 1Step 2: Paint : cobalt blue mixed with raw umber, paynes grey, yellow ochre and of course all mixed with some white.

 

 

 

Holy grail 2Step 3: Stencilling with 3 different colours, 2 stencils, I’m loving that medieval look as usual. I love the colours too. Still don’t have a clue what to make this page about.

 

 

Holy Grail 3Step 4: More collage. I happened to have an image of a grail like cup or chalice lying on my desk. I also added a pentacle and some italian patterned paper. As I was gluing down these images the words “What is your Holy grail?” popped into my head. Good question, I thought. If I was searching for a Holy grail in my life, what would that be??

Holy grail 4Step 5: Finishing touches. Stamped the words “holy grail”, and did some writing . I think my Holy grail would be learning to live with joy and gratitude IN EACH PRESENT MOMENT. I wish I could do that more often!

What about you? What is your Holy Grail?

Busy Times

Busy timesMy life and my mind have been very busy lately with arranging songs for choirs and organising several upcoming Heroine’s Journey classes. I didn’t realise that’s what this page would turn out to be about when I started it. I wanted to experiment a bit more with painting over magazine images, so i started with this image of the woman with hat…it was a black and white image and her coat appeared to be all black. First I swirled some yellow and purple together on the background, adding white to blend the colours together.  Next I stuck down the woman and painted over her with clear gesso. I was wondering what colour to use for her clothes and was contemplating taking the purple and veering either towards blue or pink. I went with the pink/purple. I also had a few new stencils that I’d never used and wanted to try out. Once I’d used the stencils it started to become apparent that the page was about my business with all the creative projects I have going lately. Mostly I enjoy to have lots of creative things going, but occasionally it becomes a bit much, especially when I have deadlines (like with the choir arrangements) and a lot of organisation, as with the heroine’s journey classes, ordering art materials etc. The parrot joined the page and told me to stop squawking and complaining because I asked for a colourful life (I have a SoulCollage card called “Colourful life”)

It is fun painting over magazine images but its also easy to stuff up the face, so I’m always very careful there. Sometimes I just leave the face and don’t do much to it at all, but in this case since she was black and white, I wanted to colour her face, so I had to totally paint it. I’m quite pleased with how it tuned out, but I needed a REALLy fine brush!

I’m still wondering whether to write some larger words on the page, I’ve nearly always done that. But I notice increasingly people  (on Facebook groups like “A Stand for Art Journaling”) don’t seem to be writing much on their pages, especially large words/headings. What do you think?

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Both Sides, January baby

I was born in January, my birthday is coming up in one week’s time and this art journal spread turned out to be about January and also the song ‘Both Sides Now”. both-sides-background

I had this image I wanted to use sometime of the woman looking thoughtful…it’s a 19th century  painting by Frederick Leighton called Solitude. I sort of chose colours for the background that I thought would tone in with the image, I didn’t want really bright colours as the painting is quite muted. I used a stencil I had cut a while back with a circle punch and tried to make it look like those lights or orbs that you sometimes get in photographs (some people I know think that they are actually photos of spirit beings but being a Capricorn I’m a bit skeptical!)

Anyway I duplicated the painting and flipped it on photoshop, because Janus, the ancient God for whom January is named, has 2 heads, looking in 2 directions. As I worked on the spread the words of Joni Mitchell’s famous song “Both Sides Now” came into my head, so I printed out the words in a script font, painted and cut them out to roughly look like clouds (“I’ve looked at clouds from both sides now…”) The significance for me of this page is that I have always felt that I am someone who is able to see both sides of a situation or argument. Sometimes this means that I don’t have very strong opinions and can be a bit of a fence sitter. On a more positive note though, it gives me the ability to empathise. I don’t know whether this has anything at all to do with being born in January, but you never know!

Happy birthday to me. Blessings to all of you art journalers out there, thanks for visiting.

both-sides-now

Complementary Messes

So it turns out that of all the 21 Secrets  “Make a Mess Magic” spreads that I did, I love the purple and yellow combination the most. Here is my finished spread, which I called “The Goddess of Paradox”. As with all my blog posts, click on the image to see a larger version. I’ve been scrolling the net lately for paintings which are out of copyright and it just so happens that I adore old paintings anyway,  especially 19th century paintings with women or goddesses paradoxin them! This one spoke to me about how relaxed she feels about living with Paradox (she does look relaxed doesn’t she!!?) and about how she contains multitudes and many opposing  contradictory characteristics, and she’s fine with that. And so am I.

I include here my process: first I made a mess using purple and yellow paint. Not only some interesting shades of brown but also some olive greens emerged, who knew?purple-and-yellow-mess

Then I did some stencilling in a dark olive green and a very light yellowy white. I started to love the page at this point.   I searched my images of paintings and found this wonderful woman who had some pale purple tones on her body and i knew she was perfect. I sponged a darker area underneath where I was going to stick her, so she would stand out and also tone in better to the background.

purple-and-yellow-stencilledFinally I dialogued with her to find out what she wanted to tell me, just as I do in SoulCollage, and with most of my art journal spreads.

She said she is the Goddess of paradox and she got me thinking about how I have many opposite characteristic as part of me, so i wrote some of these in tiny letters amongst the Flower of Life stencilling across the bottom of the page. I guess we all contain multitudes, I suspect you do too! Thanks for visiting my blog, here’s a bit of Walt Whitman to finish: “Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)”

purple-and-yellow-collaged

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The Joy of the Sea

joy-of-the-seaA few minutes drive from where I live the Brunswick River joins the sea at Brunswick Heads, and throughout summer and autumn I like to swim everyday in the river, at high tide if possible. Sometimes in spring and early summer it’s cold getting in, so I have a little ritual that I do. As I dive in I ask for the “Joy of the Ocean” to be mine, and I imagine the joy that all the sea creatures, especially dolphins and fish must have as they glide and leap about in the sea, and that I am receiving all that joy into my body. Somehow this stops me feeling so cold. Slightly. I imagine that I am asking this of the Goddess of the Sea. Anyway, this spread turned out to be about that.

I’ve bought several 21 Secrets online art journaling courses now. As I think I’ve mentioned, some of the classes are inspiring and others not so much. I bought the Spring 2015 class largely because Roxanne Coble was one of the teachers. I made this page after I watched her videos. I know it’s not really very like her work, but well, my own thing started happening, so I just went with it. I decorated a separate page of watercolour paper with stencils and paint and gel pens, using the same colour scheme  as my spread, and cut this paper up to use as collage. Roxanne was working in an old altered book which had some black and white photos in it. As I was just working on a blank page in my Strathmore art journal and not an altered book,  I collaged down some old photos and other images before I started painting. I was loving my colour scheme, and even though i tried really hard to paint in some black areas , as Roxanne is fond of doing, I just couldn’t bring myself to do it in the end. That dark Prussian blue was the darkest i wanted to use. I sponged an area of Prussian blue on which to glue my focal image of the underwater ballet dancer, so that she would stand out against the background. Here is the collaged page before I started adding paint: thank you for visiting my blog.joy-of-the-sea-collage

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Make a Mess Magic

I’ve been doing the 21 secrets Color Color Color (or, as we say in this country, Colour, colour colour) online course. The class that has grabbed me the most is the one by Hali Karla called Make a mess magic. Hali invites you to make a mess, applying paint in different ways with no idea where it is going, and then invites you to make Magic from it somehow. She suggests using 2 complementary colours and exploring the different colours of brown/neutral/grey that is made by mixing them together. In her demo she used Blue and orange but suggested we could also use red and green or  purple and yellow. I decided to make 3 different pages so I could try all 3 combinations.

Here is my red and green attempt. Which I HATED because the red bits looked like blood and gore. I can see that red paint used straight can pretty much look like you’ve smeared blood across your page. Or perhaps I’m being a bit sensitive?

red-and-green-messAnyway, I stared at it for a long time, I even smeared some gold paint on it hoping to redeem it. Eventually I decided that most of the red had to go, so I used the fern and plant masks that I had cut earlier in the year and masked around them with 2 shades of green, a dark and a light. The red was only poking through in small quantities , which was a vast improvement!

red-and-green-maskedIt made for quite a colourful busy background though and so I thought it needed something in black and white to stand out. Black and white, hmmm…? I know, magpies! If you don’t live in Australia you may not be familiar with magpies, but they are everywhere here. Everytime I go out for a walk I see lots of them, usually staring intently at me, sometimes swooping down to scare you away if they have babies in the trees (in springtime). They are very cheeky birds who will swoop in to steal your food if they can. My mother loved them and used to go out everyday holding out food and calling “maggie, maggie, maggie”.

red-and-green-finishedThey showed up quite well on this background, but I did have to paint a little bit of watered down white paint behind them to tone down the background. After I outlined them with some white and black pens, I asked them what they wanted to tell me. I thought it might be something timeless and enlightening, since they are quite magical birds, a bit similar to ravens, and they have an intelligent look in their eyes. But they started singing an old silly song from 1981 by Joe Dolce, “Shaddap a Your Face”. In case you don’t remember the song,  I include the lyrics of the chorus here for your edification, it was sung with an italian accent. :

 Mama used to say all-a time.What’s-a matter you? Hey! Gotta no respect.
What-a you t’ink you do? Why you look-a so sad?
It’s-a not so bad, it’s-a nice-a place.Ah, shaddap-a you face! I’ll include the Youtube clip below.

So my birds said to me: “what’s a matter you?  Why you look so sad? it’s a not so bad! it’s a nice place!”  Fortunately they didn’t go so far as to say “Shaddup a you face” but I could tell they were thinking it!

It seems a bit silly, but actually, this is quite a deep and timeless message for me. I have been feeling a bit …well, not exactly sad, but a bit FLAT and lacking in joy at times, which considering my life is actually wonderful and I live in the best and most beautiful place IN THE WORLD (and I’ve travelled a lot in the last 6 years which has only confirmed this opinion!) with a husband who is wonderful and supportive, my flatness is inexplicable and disappointing. So I need to hear the magpies’ message! What IS the matter with me? Why do I look so sad?? it’s a not so bad! It’s a nice-a place! So I’ll just Shaddap-a my face now. Thanks for visiting my blog!

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Queen Archetype and a new colour combination

I thought I’d try out a new combination of colours. I recently bought a colour called green grey, so I wanted to try it out. I also just received a parcel I had ordered containing  new art journal , the Dylusions Mixed media journal, and a new stencil, one with small dots. Excited I leapt into a page straightaway, with no idea what it would be about. The only colours I used for this spread were:  Green Grey, Red Oxide, Yellow Ochre and Titanium White. The background turned out like this: then I used the new stencil with the small dots basically all over the page, using only those same paint colours mixed into different combinations.

queen-backgroundqueen-stencilledI had an image from a magazine of a woman holding a funny orange fluffy thing on her head, so I collaged it down and painted over it, turning the fluffy thing into a crown and changing the colour of her outfit so it toned into the background better. She is crowning herself so I decided perhaps the page was about the Queen Archetype. As often happens whenever I make a SoulCollage (or in this case art journal page) about an archetype it means I am becoming more aware of its presence in my life. I have had a Princess card in my SoulCollage deck for a long time…I think it was the second card I ever made, back in 2007. But now I feel I have graduated from Princess  to Queen, in the sense of feeling more in control perhaps, definitely older and more mature,  or at least more having sovereignty over my own life, and also having more to give to others, because i am happy and stable in my own life.

queen-collagedThe image of the 16th century Queen appeared next and then for some reason I really wanted a nautilus shell. Not sure why, I just love them. That Italian patterned paper I bought in Italy last year came in handy as well. Then it was time for a bit of embellishment with a cream Posca and a white gel pen

So there you have it, my Queen Archetype page.queen-finished I decided that even though I have a queen archetype, it’s not a haughty queen, but more of a democratic and friendly queen. I know I am a leader but I also like to be democratic and encourage others to have input and to find their own inner queens.

Handcut stencils and masks

Tonic 1Inspired by nature! I cut some simple stencils and masks from both thin plastic  (special stencil acetate I bought at the art shop) and also from cardboard. I chose a variety of different greens. I love the combination of stencilling and masking together on the same page.

Next I added a few stencilled shapes in burnt sienna as a  contrasting colour .Tonic 2 Had to remind myself not to overdo the contrast!

I was loving it and could almost have written something on it like this and called it finished…but I decided to add some collage images, so i needed to cut the tonal contrast back a bit so the images would show up. This is very easy to do by painting a semi transparent layer of gesso (I mixed the gesso with water, a tiny bit of yellow ochre paint and a bit of fluid matt medium) The matt medium will make it transparent without you having to add too much water.

Tonic 3It doesn’t show very well in this photo but the whole thing is quite a bit paler and has less contrast.

Then I added some images, a nature spirit , dragonfly and butterfly (also nature spirits!)

 

Tonic of WildernessThe title of the page, the tonic of wilderness is from a famous quote by Henri Thoreau ““We need the tonic of wildness…At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be indefinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature.”

But i ended up writing a quote from a poem I love by Mary Oliver. here is the poem:

My work is loving the world.

Here the sunflowers, there the hummingbird — equal seekers of sweetness.

Here the quickening yeast; there the blue plums.

Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?

Am I no longer young, and still not half-perfect?

Let me keep my mind on what matters, which is my work,

which is mostly standing still and learning to be astonished.

The phoebe, the delphinium. The sheep in the pasture, and the pasture.

Which is mostly rejoicing, since all ingredients are here,

which is gratitude, to be given a mind and a heart

and these body-clothes, a mouth with which to give shouts of joy to the moth

and the wren, to the sleepy dug-up clam, telling them all,

over and over, how it is that we live forever.

Catch up post: Third journal pages

Here are some more pages from my third journal, which is basically finished except for a couple of pages that still need something more. These pages are mostly more than a year old now and I can see that my “style” (if I even have one..?) is changing over time.  I’m well into my 4th journal now, and also my 5th journal, which is the Heroine’s Journey journal is half full now. But I’ll post some of those another time.

Kathryn page finishedGerrit new ZealandBack in Brunswick smDecadesImagination

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Evolution of a Page

Face it 1I began this page with no idea of what i wanted it to be about. I randomly glued down some black and white undercollage, just things that appealed to me, left over from the heroine’s journey classes. Oh yes, and the eye. Then I gessoed over the whole thing  and wiped it back a bit so you could still see some of the undercollage. And the eye.

I painted a few areas with yellow ochre and some with turquoise and attempted a bit of a blend between those two colours.I used my handcut spiral stencil when the turquoise paint was still wet and sprayed water through it, then put a paper towel over it to lift some of the paint where the water was to reveal the spirals. This worked Ok but was not brilliant, so then I just didFace it 2 some stencilling with paint on a sponge wedge.I still had no clue what the page might turn out to be about. I grabbed a few images I had lying about that seemed to go with the colour scheme…..I love the image of the naked woman staring at the skull…I found her when I was looking for images of the goddess  Inanna. The background was too full on,  and overwhelmed the images so I toned it down with some gesso tinted with yellow ochre. After I glued down the images I cut a few stamps with the ellipse pattern, not sure why, I think I watched an art journaling  youtube clip with similar stamps.

Face it finishedI thought the page might be about the Goddess, then i thought maybe it’s about time passing and accepting that. So I glued the clock face on the right. i stamped the ellipse stamp with a white stamp pad. They didn’t turn out very well, so in the end I went over them with a white posca paint pen. Then they were too white, aargh! So I toned them down by painting over them with some nickel azo gold paint (very watered down).

The next day as i was meditating in sanctuary, the words “face it” popped into my head and I realised that was the theme of the page..whatever it is, just face it. Whether it is the fear of time passing, of growing old, the fear of death, just face it, look it in the eye. there’s nothing else to be done.  I love this page now, I think it’s one of my favourites.